The Sword of St. Michael, new from D.C.P. Fox!

Image D.C.P. Fox Sword of St. Michael promotional material

A new zombie book out? Of course, we’d want to know about it! And if you are on this site, chance are you do too.

D.C.P. Fox has a brand-new book out, And he took some time to answer our questions. Find out about
The Sword of Saint Michael
!

What motivates you?

I believe I am motivated by a burning desire to create enjoyable stories, self-confidence, a healthy work ethic, and being in a good place, emotionally and physically.

What is your writing process?

I plan, plan, plan. Before I begin the actual writing of the novel, I have developed characters, settings, and plot, including a list of scenes. Then while I write the novel, I constantly revise those plans as the creative process takes me in directions that I didn’t originally intend. I have a beta phase where my best readers give me feedback, and in the end, I get the manuscript professionally edited.

I wake up at 1:30 a.m. every day. On most days, I write from 2 a.m. to 5 a.m., sometimes even longer. I start with light editing of my previous day’s writing, then I make sure I have the outline in place for the day’s writing (usually done the day before), and then I write. From 5 to 7 a.m., and then at various times throughout the day, I either keep writing, or I work on story ideas, characters, plot, settings, outlines, blogs, newsletters, and/or general marketing.

Occasionally during those wee hours of the morning, and I try to do this every Sunday, instead of writing I engage in deep self-guided meditation to come up with writing ideas or anything that I need in order to prepare for the daily writing. Because of this tool in my toolbox, I never suffer from writer’s block.

There are so many zombie books out there, and so much repetition. What makes your book stand out?

Many apocalyptic novels deal with a scarcity of resources, but what about the scarcity of antipsychotic medication? Jocelyn Radomski, our heroine in The Sword of Saint Michael, is haunted by what she has become (violently psychotic) without that precious resource during the stress of a zombie apocalypse, and the only redemption she sees is that her immunity to the zombie pathogen could lead to a cure. As the novel unfolds, she emerges as a superhero, with shamanic powers she didn’t realize she had, zombie-like powers from her infection, and wielding a tenth-century sword, blessed by the archangel Saint Michael, forged to fight zombies. But no matter how powerful she becomes, her psychosis persists and threatens her and everyone around her.

How many more books have you planned in this series?

While The Sword of Saint Michael is great as a stand-alone novel, there will be at least two more books in the series, which would make it a trilogy. I have enough ideas for at least six books, though. Spin off novellas are a possibility, too.

What has been Self-publishing biggest lesson for you?

Nothing is more important than writing your next good book. I’m focusing a lot of energy on the sequel to The Sword of Saint Michael.

Henry Snider, Renaissance Man and Writer

Crack head vampire

Henry Snider portrait with Colorado landscape

What got you into writing?

My maternal grandfather loved telling stories and had a few published in a local paper. My father always wanted to be a writer but never really pursued it. When I was a kid, my dad got me hooked on comics, then on short stories, and when he introduced me to Burroughs’s A Princess of Mars I was hooked on not only reading, but the concept of storytelling.

Should the reader grab a copy of Darkness Wired ASAP?

Of course! Horror is fun. Science fiction is fun. Dark science fiction with Lovecraftian horrors is always a good time.

What do you like about Darkness Wired?

I think it’s the concept of science horror ala a modernization of the old monster movies meeting in some cases with deities and lifeforms having dire consequences

You have brand new fiction in “Terror at 5280.” Tell us all about it!

Actually, I have four coming out over the next month. I’ll start with Terror at 5280’ and go from there.

Terror At 5280 Cover

Taste (TERROR AT 5280’) – “Taste” was a bit of a funny story in the making. I’m a media specialist by trade, and was out with a friend shooting her 40 and fabulous photoshoot for fun. Between her, my wife, and my suggestions, it turned into a vampiric crack whore photoshoot (yes, kiddies, you read that right). All the effects were added on the back end in Photoshop. We all loved the photos and they came out creepy – just like vampires should be. I’ve always hated what’s become of the monsters which scare me. Blood sucking beasts from hell are now nothing more than redirected glittery teenage angst. The next thing I knew, I had a horror story that chilled me. We’ll toss in a link, but the image, and the story, is on the south side of safe for work.

Skewed Perceptions (DARKNESS WIRED) – I had a lot of fun with this one. Ever since I read “Window” by Bob Leman (some of you may know it by the Night Visions episode “A View Through the Window”) and saw XTRO 2: The Second Encounter, I’ve been enamored with parallel worlds and alternate dimensions. Science and incompetence often go hand-in-hand. Darkness Wired allowed me the opportunity to explore another realm with the type of tech and mistakes we would probably make.

Fellowship (BLOOD & BLASPHEMY) – Fellowship is a bit of a Maine double-whammy for my wife and I. I originally wrote this couple story about making a wrong decision in an overly-religious back woods town in Maine before taking the family to the state for a vacation. We went to a little restaurant in Dover-Foxcroft for lunch. Once seated my wife gives me a death-glare and hits me with a menu. Josh, our son, and I are a bit baffled. Without a word she motions to the restaurant with her hands. As I look around, I see what she’s talking about – the tables, the chairs…hell, even the napkin dispensers (and truth be told, one or two of the patrons) appeared to be right out of the story. It’s the only religious horror story I’ve written to date.

Someone to Watch Over Me (BULLETS, BOMBS & BOOGEYMEN) – I’m a history buff. I was challenged to write a story in the 1920’s. Never one to turn away from a challenge I ended up with a story about a flapper named Elsie in 1925 who meets a British WWI veteran. I ended up modelling a few characteristics from family members I’ve heard stories about. For instance, my paternal grandfather (also my namesake – and, yes, I’m a “third”) was mustard-gassed in WWI. It ate most of the flesh off his skull, leaving him bald at a very young age. When WWII came around, he signed back up – even with his disability. He took the only job they’d give him, riding the boats over with the new recruits, explaining what to expect, and riding the same boat back, guarding the dead soldier’s bodies. He had a hard life. I touched on the key points to bring one character to life. In this story, the locations, the river island, even the Indian burial mounds are all real places. I don’t do many ghost stories, and this one focuses on the ghosts of war, but not in a metaphorical sense.

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How do you feel about the need for writers’ groups?

This question is a two-edged sword. There are tons of writing groups. Let’s start by identifying the groups, most of which I can put into one of three categories – and all three serve different purposes writers need at different times. Please note, I don’t take credit for these classifications – I honestly don’t remember where I originally heard them, but they’re accurate. First is the “Fluff” group. Here you could turn in your laundry list and everyone will fall over themselves telling you how good it is, offering only positive criticism. This is amazing for your ego, but usually does squat for your prose. The second is the “Literary” group. In this group they’ll compare whatever you’re writing to similar authors and make suggestions to enhance that style. Again, this is also good for knowing who your influences are, but it really doesn’t get you, J. Doe, to writing like yourself. The third is a “Destructive” group. Sound scary? It is! In a destructive group it won’t matter if you are Stephen King, they’re still going to do their best to content edit your piece. When you’re ready for publication, this is the group you want to find.

How many writer groups, and what types, have you co-founded and run?

I’ve co-founded two. The first, the Colorado Springs Fiction Writers Group  was founded in 1996 by my wife – Hollie Snider, John Irwin, and myself. The CSFWG’s mission statement was “To make good writers better.” I was president and webmaster for 13 years to-the-month before retiring in 2009, but continued as an officer for a while longer before becoming part of the chorus of members. In 2012 several writers and I formed Fiction Foundry , focusing on publication prep. Since 2012 over 30 member novels have gone into print through various avenues. I’m proud to be a part of this. While still offering critique groups, the focus is more on publication and sharing skills to attain that goal. In Fiction Foundry I’m still the web-designer, clunky as it may be.

You’re married to a loving, in-house editor who’s not going anywhere, can you tell us about that?

Not for fear of reprisal! Seriously, though, it’s a bit of a fairy tale. I met Hollie in a college writing class. I transferred in on March 30, 1995 (don’t worry, you’ll understand the dates in a minute). We hit it off arguing about horses. I knew she had a boyfriend and stayed respectful. Once I found out she also loved The Dark Crystal I offered to buy a copy and we could watch it at her parent’s place. We spent the afternoon pausing the movie every few minutes to chat. Then she excused herself for a bit (don’t get your hormones up, it’s not “that” kind of story). She came back and we watched another ten minutes or so of the movie. Then, out of nowhere she said, “That’s long enough,” and kissed me. I was baffled and started to ask about her boyfriend. Hollie stopped me, saying, “I left to call him and break up.” This was on April 1st, 1995 – April Fools Day. We were attached at the hip since then. On April 8th I proposed. Yes, after only knowing each other 10 days. She said yes before the entire proposal was out. Then came the twenty-minute lecture about why didn’t I propose the day we met because, “She just knew.” I’d love to give her flack about it, but we’re 24 years in and she’s either the best prankster ever, or she was/is right. We married three months to the day after our first kiss, had our son the following summer, and haven’t looked back since. Our passions match enough to fit together like cogs in a machine, but have enough that are different to keep the relationship fresh. Advice…keep dating the one you love!

Henry and Hollie

And you also write with your son, I believe. What’s the experience of co-writing like for you two?

Josh is actually the current president of Fiction Foundry. We don’t write together, though. We’d kill each other…and he’s bigger than me. He first published poetry at 15 and is now actively pursuing genre fiction.

You had your own publishing house, can you expand on that experience?

Strigidae Publishing. Yes. We created a small publishing house much the same way we created the writing groups. First thing, we went to the writers and asked them what they wanted in a house. After compiling everything we put it together in such a way that we went from opening to being in the black in less than 90 days. We stayed that way until a Wednesday afternoon in 2016 when I went in for my middle-age checkup and was scheduled for a heart-cath on Thursday. 4:30PM that day I was informed I’d be getting a double bypass (we’re talking a full on crab-cracked chest) at 5AM the next morning. While I was lucky not to have any heart damage, they said I couldn’t run three businesses anymore and had to cut back at least for a while. I had to choose the business that paid the bills best, so the house closed. In early 2019 we started to revive it, only to have me yet again struck with another health issue. We closed again before even officially opening and have stayed that way. The health issue is resolved, but I think we’re both taking this as a sign to focus on writing and not the business of publishing.

Can you tell us more about your work with high schools and teens in prisons?

Over the years I’ve pursued, both on my own and through our writing groups, educating and encouraging teens. We started with giving basic lectures and contests to local high schools, then branched out into the juvenile detention centers offering full creative writing classes. Realistically, 95% of the kids are there to fill time, but the other 5%…just to watch their excitement, participation, and growth is more than worth it. I feel like it’s coming on time to do it again.

Fizzgig

Supposedly you have a cat name Fizzwig…But there are no pictures of you two together? Does he really exist?

It’s Fizzgig – like the toothy pet from The Dark Crystal. She’s a half Ragdoll / half Himalayan beast, almost 17 and cranky enough to keep our three rescue dogs (a Husky – Kira, a Pit-mix – Mina Harker, and an Aussie mix – Elvis – see the photo of them I took in frustration while “trying” to edit) in terror of her wrath.

From Daniel Willcocks, The Mark of the Damned!

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Daniel Willcocks is a bestselling author and podcaster of dark fiction. He is one-quarter of digital story studio, Hawk & Cleaver, co-producer of iTunes-busting, and multi-million downloaded, ‘The Other Stories’ podcast, as well as the lead host of the ‘Great Writers Share’ podcast.

Your brand new book, The Mark of the Damned, is coming out 10/25 tell me about it and about your very cool cover!

The Mark of the Damned is a story I’ve had percolating for a while. I love stories in which you can mess with the fabric of reality and call in the forces we don’t understand, and this was a perfect opportunity to do that. Even in the actual creation of the story itself, it took on a life of its own. What had planned to be a 10,000 word novella, ended up demanding that it reach 30,000 words when finished.
The cover art was also something which gave itself to me. In cycling through pre-made horror book art I found the cover and fell in love with it instantly. It speaks perfectly about the book, from the beetle-black eyes, right down to the pentagram hovering around the text (which I didn’t actually notice until I’d paid for the work).

What was the spark that brought about The Mark of the Damned?

It has actually already (technically) been published on The Other Stories podcast. The podcast itself allows for 2,000 word short stories, and after nearly 4 years of the podcast, I’ve personally written 40-50 shorts which have been featured on the feed or on our Patreon page.
The Mark of the Damned was originally a Patreon-exclusive story under our ‘Strange Inheritance’ theme, with a slightly altered title. Something about the story wouldn’t let me go, and I wanted to explore the wider world around what had been written and give it some depth. I also had several listeners asking for an expanded version, so here we are.

What’s your writing routine like?

I try to be as rigid and into a routine as possible. I will primarily write in the mornings, and tend to block out 6-7am for writing, get my kid ready for school, then return to the words around 9.30-midday. Depending on the word counts I’m aiming for, I sometimes go further into the afternoon, but it’s pretty stringent as I know I can procrastinate if I don’t start the day on track.

How did your writing career start?

For fun. I worked as a freelance copy-editor for non-fiction and found myself with some downtime. I’d always wanted to dabble in writing, and after being inspired by Stephen King’s short story collection, ‘Everything’s Eventual,’ I decided to give it a go.

My first novella, ‘Sins of Smoke,’ took around 4 months to write. It was 17,000 words and I edited it myself around 17 times. When I finally published it to Amazon, it was fortunate enough to make it to the #1 spot in the horror charts on Halloween 2015 which, for a horror author, is like the holy grail.

What is Hawk and cleaver and how did it come about?

Hawk & Cleaver is an independent digital story studio. It came about as a way for four creators to create, while also lifting each other up along the way.
Writing can easily be one of the loneliest professions, so having a group of people you can rely on has been invaluable. All of the guys at Hawk & Cleaver are passionate about what they do and love to create. Uniting under one banner was one of the greatest things we could have done for four little-known creators, and now we have a backlist of stories and properties which are being listened to and read the world over.

How do you see British horror fiction being different from the American counterpart?

I don’t tend to differentiate the two all that much. There’s a universality with horror that translates to all countries. I don’t rate Adam Nevill any differently from Stephen King, or conversely, Kealan Patrick Burke from Josh Malerman.

What do you think Brits do very well in horror fiction?

We know how to be miserable. That often helps. I think London and some of the older British towns are perfect locations for some of the scariest horror, and there’s a history here that transcends many places across the globe.

What horror book or movie scared you the most and for the longest time?

My answer for this will be one that might take people by surprise. My earliest memory of being can’t-fucking-sleep-it’ll-get-me scared was The Simpson’s ‘Treehouse of Horror.’ Mr Burns as a vampire scarred my childhood, but I now use that fear to propel my writing. If I can scare 28-year-old me as much as Mr Burns scared 9-year-old me, I’m winning.

What do you do to take a break from writing? I know you recently jumped off an airplane.

Unfortunately the skydive wasn’t an effort to take a break from writing! Taking a break is difficult when you’re a full-time author. Even if you’re not directly putting words on a page, your mind is in your story. Every piece of media you consume is research. The majority of my day is spent in thought or typing on the keyboard so it’s rare I take a break.
Though, when I do, it’s usually because I can sense that I’m burned out and I play several hours of Pokemon on the DS.

What’s one book that you’d wished you’d written?

Adam Nevill’s ‘The Ritual’. It’s been one of the few books that’s engrossed me in a few years, and the horror is beautifully executed. Playing with the hidden beast is one of my favourite things to do. If you can scare someone without physically showing the monster, then you have succeeded, in my opinion.

 

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